Introducing ‘Notes from Mr. Sandman‘ – a column slapping a spotlight on lyricists overlooked, under appreciated, or just plain criminally slept on. Or like a man named Nas once said, “I never sleep, cause sleep is the cousin of death.” Enter Mr. Sandman with what y’all missed while chasing the REM dragon.
True to his namesake, Esoteric (Seamus Ryan) is a lyricist who refuses to conform. He tackles controversial topics with courage and is steadfast in keeping old traditions alive; that blue collar, straight-laced artist who isn’t afraid to rile feathers.
Ryan came up in the Boston hip-hop scene, traveling in the same circles as lyricists like Mr. Lif and the Percpetionists, a style of rap that drives hard to the bucket every time. It set a foundation for his nearly 20-year long career and still serves as his creative compass.
“Rise of the Rebel” is a solid example of his rugged style. He outlines his lyrical pedigree and in simple terms shows listeners how a proper introduction should go: [LISTEN]
Ryan is not particularly good at any one thing, but he does have a strong grasp on the fundamentals. In other words he’s not so much the Larry Bird of rap as he is Kevin McHale, the type of lyricist who takes a deceptively simple skillset and maxes it out.
His work ethic alone has placed him in another category. It’s provided him with a crass, deadpan sense of humor, one that is both hilarious and eye opening. On “New Rapper,” he details the frustration that comes with being an independent rapper, when a young up and comer doesn’t understand the amount of work that goes into a verse: [LISTEN]
Ryan’s latest project Czarface has him teaming up with legendary lyricist Inspectah Deck. It’s his most freewheeling album to date and reflects a cagey veteran entering his prime, which is astonishing to think considering how long he’s been in the game. Some would call the album a throwback, but it’s not. It’s an artist sticking to a timeless formula, one that is rooted in tradition.
While he may not be on anybody’s Top Ten list Ryan’s a formidable lyricist who deserves a show of respect. He’s no frills and embraces a style that can only come with time and commitment; equal parts lyrical barbarian and jaded comedian.
On “Air ‘Em Out” the insults fly like bullets and he could care less about who he offends, which is a style that every rap fan, young or old, can embrace: [LISTEN]
