Genre: Electronic
| 1 | Edge To Life |
| 2 | Without You |
| 3 | Shunt |
| 4 | Subhuman |
| 5 | Allelujah |
| 6 | Stalker |
| 7 | Strange Hours |
| 8 | Bloodline |
| 9 | Electro-Blues For Bukka White |
| 10 | Curse |
| 11 | Missing Piece |
| 12 | Supreme |
| 13 | Prey |
| 14 | Last Breath |
| 15 | Breath Control |
| 16 | 5000 Years |
| 17 | Killing Ground |
| 18 | Incubus |
| 19 | Intruders |
| 20 | The Defector |
| 21 | 99 To Life |
| 22 | Control Freak |
| 23 | Backslider |
| 24 | Red River Cargo |
| 25 | Faith Healer |
| 26 | Luscious Apparatus |
| 27 | Drifting |
| 28 | Want |
| 29 | Last Call For Liquid Courage |
| 30 | Jezebel |
| 31 | Vertigen |
Recoil is a musical project created by former Depeche Mode member Alan Wilder. Essentially a solo venture, Recoil began whilst Wilder was still in Depeche Mode as an outlet for his experimental, less pop-oriented compositions. Once he announced his departure from the group in 1995, Recoil was transformed from a small side-project into Wilder's primary musical enterprise.
Recoil began in 1986, when Daniel Miller (record producer and founder of Mute Records) heard some of Alan Wilder's demo recordings, which he had made on a 4-track cassette machine. These recordings were substantially different from anything Depeche Mode had released — whilst they were still created using synthesizers and sampling, they featured little of Depeche Mode's catchy pop songwriting, instead opting for an experimental, John Cage-esque style. Due to the primitive and decidedly uncommercial nature of these pieces, Wilder and the record label decided to release the album inconspicuously, naming it 1+2. It eventually came out in mid-1986, not long after the release of Depeche Mode's well-received Black Celebration.
Source: http://en.wikipedia.org/wiki/Recoil_%28band%29
| 1 | Depeche Mode |
| 2 | Sesame Street |
| 3 | Empire Of The Sun |
| 4 | Moby |
| 5 | Fever Ray |
| 6 | David Guetta |
| 7 | Owl City |
| 8 | Infected Mushroom |
| 9 | Deadmau5 |
| 10 | Nobuo Uematsu |
| 11 | IAMX |