If you juxtaposin, I wouldn’t suppose it/Get on the floor, let’s get on the floor
Given dubstep’s roots in dub and reggae, this collaboration makes sense. Dropping the robot-sex-sounds, this subtler groove shows promise but is ultimately doomed. It’s repetitive and boring. Skrillex’s output is draining him of ideas, and Marley acts again as a phoned-in stereotype.