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RIFF’d: Tame Impala’s ‘Currents’

Personal growth can be difficult especially in a place as fickle as the music industry. Everyone wants the same old thing, and to venture beyond the norm is, in most instances, a death sentence. But […]

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RIFF’d: Giorgio Moroder’s ‘Déjà Vu’

Giorgio Moroder is the original Skrillex. Think about it: both of them had previous, notable-but-less-historic careers — Moroder’s in repurposing American bubblegum for Euro audiences, Skrillex in repurposing metal for screamo fans of the Hot […]

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Streetside: Dan Deacon at Seattle’s Neumo’s; May 8, 2015

If you know who Dan Deacon is outside of his viral “Drinkin’ Outta Cups” sketch-rant, then you’ve heard of his infamous live show: a highly-interactive, all-inclusive indie dance party that just about everyone describes as […]

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RIFF’d: Interpol’s ‘El Pintor’

El Pintor is as Interpol as they’ve ever been. Perhaps that’s why, given that they’d already done a self-titled, they went with an anagram of their band name for this record, their fifth. Banks is […]

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The Faint - 'Doom Abuse'

RIFF’d: The Faint’s ‘Doom Abuse’

The Faint are probably best known as “that band that Conor Oberst was in briefly once upon a time.” Their second claim to fame is as average participants in indie-dance’s time shared in the spotlight […]

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The Future of Brostep: From Neo-Jock Jams to Death Grips

The face of brostep as we know it – Skrillex – recently released a slew of new material with a lead-in track titled “All Is Fair in Love and Brostep.” The timing’s curious: 3 a.m., […]

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Katy B Little Red - Spin.com

Listing: 5 Lyrics that Toe the Passé ‘Heartfelt’ Line on Katy B’s ‘Little Red’

Already a name in her native UK, Katy B sophomore album release was dubbed “sophisticated dance music with heart” by her fellow Brits, making more of us Stateside take notice. It’s easy to see why – […]

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RIFF’d: Broken Bells’ ‘After the Disco’

There’s nothing elusive or misleading about what Broken Bells is trying to do with their sophomore album After the Disco. The title itself says it all. This is about moving beyond trivial pursuits, and into […]

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RIFF’d: Warpaint’s ‘Warpaint’

Looking to avoid the trappings of redundancy, Warpaint waited four long years to release the follow up to The Fool, gambling with creative purgatory in these internet flash times. But it paid off. In that span […]

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Spotlight: Postiljonen

Combining the shoegaze melodies of the Cocteau Twins and the cinematic dream-pop of M83 with saxophone riffs worthy of a mid-80s NYC skyline, and an inspired use of film dialogue which perfectly encapsulates their escapist intentions, […]

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