|1||We Three (my Echo, My Shadow & Me)|
|3||Someone's Rocking My Dreamboat|
|4||Your Feet's Too Big|
|5||Your Feets Too Big|
|6||To Each His Own|
|7||Street of Dreams|
|9||We Three (My Echo, My Shadow and Me)|
|10||It's a Sin to Tell a Lie|
|11||Don't Get Around Much Anymore|
|12||I Don't Want to Set the World On Fire|
|14||Whispering Grass (Don't Tell the Trees)|
|15||Do I Worry|
|16||When The Swallows Come Back To Capistrano|
|20||I'd Climb The Highest Mountain|
The Ink Spots were a vocal group in the 1930s and 1940s that helped define the musical genre that led to rhythm and blues and rock and roll, and the subgenre doo-wop. They and the Mills Brothers, another black vocal group of the same period, gained much acceptance in both the white community and black community. They were inducted into the vocal group hall of fame in 1999.
Their songs usually began with a guitar riff, followed by the tenor Bill Kenny, who sang the whole song through. After Kenny finished singing, the bass would either recite the first half, or the bridge of the song, or would speak the words, almost in a free form, that were not part of the song, commonly using the words "Honey Child", or "Honey Babe", expressing his love for his darling in the song.